As a classical trumpeter, Sarah Belle Reid felt that she was constantly being asked to emulate the s...
Author
Chrysanthe Tan
Some albums have the power to shift the listener’s mood: to excite, stimulate, slow down, or soothe.
Author
Chrysanthe Tan
Titilayo Ayangade started playing cello at age five, but her passion didn’t ignite until she discove...
Author
Chrysanthe Tan
Layale Chaker’s music draws from multiple modalities — contemporary classical, Arabic maqam, jazz, a...
Author
Chrysanthe Tan
I’m not a nature person, so it was with trepidation that I trekked up the Santa Monica Mountains for...
Author
Chrysanthe Tan
“I’m sorry in advance. I hope this provides you with some joy,” Rylan Gleave chuckles into a voice m...
Author
Chrysanthe Tan
In a concert featuring music by five composers, one would normally expect to hear contrasting styles...
Author
Chrysanthe Tan
This sponsored article is part of a paid partnership with the Curtis Institute of Music. Dai Wei was...
Author
Chrysanthe Tan
Renowned composer Judith Shatin has been coaxing new sounds from familiar and unexpected places sinc...
Author
Chrysanthe Tan
I saw a tweet the other day that sparked familiar discourse about the merits and perils of amplifyin...
Author
Chrysanthe Tan
OHYUNG used to think ambient music was pretentious. The open-endedness and ability to retrofit seemi...
Author
Chrysanthe Tan
Rufus uses it/its pronouns. Rufus Isabel Elliot is a composer, musician, and the creative force behi...
Author
Chrysanthe Tan
People often have a monolithic idea of “Asian music,” and London-based sound artist and conceptual c...
Author
Chrysanthe Tan
Speaking, singing, shouting, and howling, the voice is front and center in FOLKS’ SONGS, the debut E...
Author
Chrysanthe Tan
